Une belle journée in Chantilly. Parte 2
Built between 1719 and 1735 by Louis Henri de Bourbon, the 7th
Prince of Condé, La Grande Écurie is the largest stable in Europe. Associated
with the Château de Chantilly, the facility provided housing for the multitude
of horses that each member of the aristocracy kept because it was a basic
expectation of their rank, that they be able to put on a hunting expedition
whenever the king decided to drop by.
The stable houses Le Musée de Cheval, a very well designed and
executed tribute to the horse. We were really spoiled by the last two museums
in Portugal, and this one continued the winning streak. You enter through one
of the main stable doors into an actual working facility full of horses. ,
right up the barn row .An interesting bunch – a Friesian, a Lusitano or two, some
PREs, several Shetland Ponies, a couple of minis and even 3 burros. As it turned
out, this bunch was the cast for the show they put on later in the afternoon.
From there you travel through 15 well-appointed rooms, housed in the old
stables, filled with displays and multi-media depicting the human interaction
with equines from antiquity to the modern. A very nice collection well-presented
and highly interactive. We were lucky as it turns out because after our walk
from the Chantilly station we chose to
stop first here rather than go on to the much more famous chateau. Since it was
only 12:00, and the show was not until 2:30, most people make their visit in
the other order. The result – we had it all to ourselves.
My favorite room came just at the end – a collection of
carousel horses, nicely displayed in two groups and accompanied by the zither rendition
of the “Theme from the Third Man.”
We had some time to kill so we had a nice little quiche in
the museum café and then sat and watched some horses being worked in an arena
just outside the museum. Framed by the huge buff limestone walls and backed up
by two enormous bronze horse heads, it created a nice tableau in which to watch
the horses going around and around.
The show began promptly at 2:30, and we were shuffled into
an auditorium built inside one of the original towers. A nice job of shoe-horning
modern seating into an 18th century building. All the old decorations
remained, tribute to the countless animals killed on the property during the grand
hunts. A small riding ring at the center, and a little nook off to one side for
the musicians. Before the show began, three young women rode in on horseback
carrying signs – No Photos, No Video, No Phones. A simple but elegant solution
to trying to cover every single language represented in the room.
The show lasted 1:20. Each of the horses we had seen in the
stable participated in a variety of short demonstrations. Riding, working in
hand, working on the line and working free. The best two acts were the three burros
doing a routine with a handler, and one skit involving a Mini and a Welsh Pony
doing dressage airs. Seeing a Mini doing leaps in the style of a Lipizzan warmed
our hearts, a future challenge for MLW’s Mini-training program. Adding some
flavor were a couple of demonstrations by an acrobat which gave the whole thing
a Cirque du Soleil air. It was a fun show, and the audience loved it.
Now nearing 4PM, we had a choice to make – call it a day and
start the long walk back to town or continue to the chateau knowing we would
almost certainly not be back this way. Trains were not a problem, running every
half hour until 6PM and then every hour thereafter. We opted for the latter and
figured we could still make a 5:30 departure.
On to the chateau!
On to the chateau!
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